‘Working with Annabel over a period of seven months was a intensely positive experience for the organisation. She deftly and competently handled our organisation comms across a wider range of projects with a wide geographical split. Her positive attitude, quick and competent working and ability to turn round difficult tasks was unwavering, whether it was across print, online or face to face. We would absolutely work with her again!’

- Sam Lindley, Head of Production, Talent and Skills, Threshold Studios

‘You can’t effectively promote an event or project unless you really understand it. Thanks to Annabel’s natural curiosity and versatility she has played a vital part in helping to grow and diversify Flatpack’s audience over the years. She is unflappable, committed, and a pleasure to work with.

- Ian Francis, Director, Flatpack Film Festival.

‘Annabel was brought on board to spread the word about a new pitching competition we had launched in 2016 – with a limited amount of time, and modest budget she achieved an impressive amount of work – using relevant forums, noticeboards, social media and targeted e-shots – all of this helped our submissions beat our initial target – we were very pleased with the results.’

- Alice Cabañas – Director, Encounters Short Film and Animation Festival

‘Annabel recently led a one-to-one training session for me on using Mailchimp for our community cinema newsletter. She is an excellent teacher, flexible to the requirements of her client and practical in her approach. I found her step-by-step pdf notes invaluable and her manner encouraging and professional. I would highly recommend her as a trainer’

- Penny Searley, MAC Movies

‘Committed and genuinely excited from the outset, Annabel was quick to come up with multiple creative ideas. She fully submerged herself in our product, in our case, coming to witness our work first hand. She proposed lots of good ideas, refining them each time with our feedback and collaboration. She designed an ambitious marketing strategy combining a variety of different physical and digital tools allowing us to invite specific reviewers and industry contracts in a bespoke way, target new audiences and make our current audience feel rewarded.’

– Catherine Martindale, Poeticat.